{"id":651,"date":"2020-07-16T16:45:57","date_gmt":"2020-07-16T16:45:57","guid":{"rendered":"https:\/\/samuelthulin.com\/workshops-2\/"},"modified":"2022-07-29T21:51:16","modified_gmt":"2022-07-29T21:51:16","slug":"ateliers","status":"publish","type":"page","link":"https:\/\/samuelthulin.com\/fr\/ateliers\/","title":{"rendered":"Ateliers"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fifth  avia-builder-el-0  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-3a4274da97e418d0bc43779334b79712\">\n.flex_column.av-15ouy-3a4274da97e418d0bc43779334b79712{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-3a4274da97e418d0bc43779334b79712 av_three_fifth  avia-builder-el-1  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding '     ><section  class='av_textblock_section av-ka8p0uih-d2c56c6ef518e4cf02cfdf7e0a9f19c9'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock tagline'  itemprop=\"text\" ><p>J&rsquo;aime donner des ateliers aux artistes, aux travailleurs\/travailleuses culturel.l.e.s, aux universitaires et aux membres du grand public de tous \u00e2ges sur des th\u00e8mes allant de la production m\u00e9diatique aux pratiques de recherche exp\u00e9rimentales et cr\u00e9atives en passant par la cr\u00e9ation 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0px;\n}\n<\/style>\n<div class='flex_column av-12al7-2d1fe5a106d99883809124e0a7bdc99d av_three_fifth  avia-builder-el-6  el_after_av_one_full  el_before_av_one_fourth  first flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-kpo7j1w6-786392aad11d2355918cba07ea6aea4c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Ateliers Pass\u00e9s<\/strong><\/p>\n<p>2022. \u00c9v\u00e9nement \u00abSoundwalking\u00bb. Sur invitation des organisateur.e.s du Soundwalk Symposium. Universit\u00e9 Concordia. 8 avril 2022.<\/p>\n<p><a href=\"https:\/\/www.soundwalksymposium.com\/fr\">https:\/\/www.soundwalksymposium.com\/fr<\/a><\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_fourth  avia-builder-el-8  el_after_av_three_fifth  el_before_av_one_fourth  flex_column_div av-zero-column-padding column-top-margin'     ><\/div><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fourth  avia-builder-el-9  el_after_av_one_fourth  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-12al7-fc7bbabe363d6389e9cd45b8e9973952\">\n.flex_column.av-12al7-fc7bbabe363d6389e9cd45b8e9973952{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-12al7-fc7bbabe363d6389e9cd45b8e9973952 av_three_fifth  avia-builder-el-10  el_after_av_one_fourth  el_before_av_three_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-kpo7j1w6-786392aad11d2355918cba07ea6aea4c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2021\">\n<li>\u00c9v\u00e9nement \u00ab\u00a0Soundwalking\u00a0\u00bb. Sur invitation du Concordia Electroacoustics Studies Student Association &#8211; Universit\u00e9 Concordia. 25 mai 2021. En plein air, \u00e0 partir de la station de m\u00e9tro Lionel-Groulx, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Deux marches sonores de 75 minutes, l\u2019une \u00e0 la suite de l\u2019autre. Cet \u00e9v\u00e9nement a invit\u00e9 les participant.e.s \u00e0 explorer une multiplicit\u00e9 de fa\u00e7ons de porter aux sons et aux vibrations lors de d\u00e9placements dans la ville. Apr\u00e8s avoir bri\u00e8vement introduit le \u00ab\u00a0soundwalking\u00a0\u00bb et les diff\u00e9rentes mani\u00e8res d&rsquo;\u00e9couter, j&rsquo;ai guid\u00e9 les participant.e.s \u00e0 travers les quartiers de la Petite Bourgogne, de Saint-Henri et de Pointe-Saint-Charles, en mettant l&rsquo;accent sur l&rsquo;exp\u00e9rience de ces zones gr\u00e2ce aux pratiques d&rsquo;\u00e9coute et de perception des vibrations. J\u2019ai ensuite anim\u00e9 une discussion \u00e0 la fin de la promenade permettant de r\u00e9fl\u00e9chir \u00e0 l&rsquo;activit\u00e9 continue dans l\u2019environnement urbain, aux multiples relations que nous entretenons avec ce m\u00eame environnement, et au potentiel des connexions corporelles autres que l\u2019ou\u00efe que nous pourrions avoir avec les lieux afin de d\u2019\u00e9largir nos conceptions habituelles de ce qu\u2019est ou devrait \u00eatre l\u2019\u00e9coute.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-65f9cfaf2397494489d06f90b0f65adb\">\n.flex_column.av-15ouy-65f9cfaf2397494489d06f90b0f65adb{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-65f9cfaf2397494489d06f90b0f65adb av_three_fifth  avia-builder-el-12  el_after_av_three_fifth  el_before_av_one_fourth  first flex_column_div av-zero-column-padding '     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2019\">\n<li>\u00ab Sensorial Movement and Vibrational Media. ReVERBerations \u2013 Deafhood and Disability Arts Workshop Series \u00bb. Avec Ash McAskill and Stephanie Sherman. 20 novembre 2019. Universit\u00e9 Concordia, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de deux heures sur le potentiel de multiples formes de mouvement et de m\u00e9dias vibratoires pour les pratiques d\u2019artistes handicap\u00e9.e.s ou sourd.e.s. J\u2019ai pr\u00e9sent\u00e9 aux participant.e.s comment construire des coussins vibratoires en utilisant des mat\u00e9riaux audio-\u00e9lectroniques, ainsi que mon projet <a href=\"https:\/\/samuelthulin.com\/fr\/projects\/hemo-resonance-1\/\"><em>Hemo-resonance #1 <\/em><\/a>\u00e0 titre d\u2019exemple des possibilit\u00e9s offertes par l\u2019usage des m\u00e9dias vibratoires.<\/p>\n<ol start=\"2019\">\n<li>\u00ab Vibrer pour le plaisir : Des objets technologiques favorisant l\u2019accessibilit\u00e9 culturelle \u00bb. Avec Line Grenier. 23 mai 2019. Centre for Research and Expertise in Social Gerontology (CREG\u00c9S). Exp\u00e9riences, capacit\u00e9s et potentialit\u00e9s: Enrichir nos pratiques aupr\u00e8s des personnes a\u00een\u00e9es Sourdes ou ayant des incapacit\u00e9s. Universit\u00e9 Laval, Qu\u00e9bec, QC.<\/li>\n<\/ol>\n<p>Un atelier d\u2019une heure sur le potentiel des arts et des m\u00e9dias vibratoires comme des exutoires cr\u00e9atifs pour les personnes a\u00een\u00e9es Sourdes ou ayant des incapacit\u00e9s.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-1gky6w-ab83683a55a016334a4930982515c85f hr-default  avia-builder-el-14  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_fourth  avia-builder-el-15  el_after_av_three_fifth  el_before_av_one_fourth  flex_column_div av-zero-column-padding '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fourth  avia-builder-el-16  el_after_av_one_fourth  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-3a4274da97e418d0bc43779334b79712\">\n.flex_column.av-15ouy-3a4274da97e418d0bc43779334b79712{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-3a4274da97e418d0bc43779334b79712 av_three_fifth  avia-builder-el-17  el_after_av_one_fourth  el_before_av_three_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2018\">\n<li>\u00ab Vibrafy \u00bb. S\u00e9rie d\u2019ateliers Vibe. Avec Ju Gosling, Julie Newman, et Darian Goldin Stahl. 4 octobre 2018. Universit\u00e9 Concordia, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier d&rsquo;une journ\u00e9e au cours duquel les participant.e.s ont \u00e9t\u00e9 guid\u00e9.e.s dans la construction de divers objets et v\u00eatements vibratoires qui r\u00e9agissent \u00e0 la lecture de sons et de musique. La majorit\u00e9 des mat\u00e9riaux utilis\u00e9s dans l&rsquo;atelier ont \u00e9t\u00e9 r\u00e9cup\u00e9r\u00e9s au Centre for Creative Reuse de l&rsquo;Universit\u00e9 Concordia.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-1a6h4g-d371d5089b55b888ada902137639ab89 hr-default  avia-builder-el-19  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-65f9cfaf2397494489d06f90b0f65adb\">\n.flex_column.av-15ouy-65f9cfaf2397494489d06f90b0f65adb{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-65f9cfaf2397494489d06f90b0f65adb av_three_fifth  avia-builder-el-20  el_after_av_three_fifth  el_before_av_one_fourth  first flex_column_div av-zero-column-padding '     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2016\">\n<li>\u00ab Situated Composition Workshop: Emerging Practices of Sound and Mobility \u00bb. 6 mai 2016. Peter Scott Gallery, Lancaster University, Royaume-Uni.<\/li>\n<\/ol>\n<p>Un atelier d&rsquo;une journ\u00e9e qui explore les possibilit\u00e9s de production sonore mobile utilisant une s\u00e9rie d&rsquo;outils et d&rsquo;approches. J&rsquo;ai \u00e9dit\u00e9 un journal instantan\u00e9 bas\u00e9 sur les contributions des participant.e.s \u00e0 l&rsquo;atelier : <a href=\"https:\/\/situatedcompositionworkshop2016.wordpress.com\/instant-journal\/\">https:\/\/situatedcompositionworkshop2016.wordpress.com\/instant-journal\/<\/a><\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-12w680-bed55f7ada42128b1b8e61bcb05170c6 hr-default  avia-builder-el-22  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_fourth  avia-builder-el-23  el_after_av_three_fifth  el_before_av_one_fourth  flex_column_div av-zero-column-padding '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fourth  avia-builder-el-24  el_after_av_one_fourth  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-3a4274da97e418d0bc43779334b79712\">\n.flex_column.av-15ouy-3a4274da97e418d0bc43779334b79712{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-3a4274da97e418d0bc43779334b79712 av_three_fifth  avia-builder-el-25  el_after_av_one_fourth  el_before_av_three_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2015\">\n<li>\u00ab The Mobilities Lab Experiment 2015: Captured in Motion \u00bb. Avec Monika B\u00fcscher et Jen Southern. 6 f\u00e9vrier 2015. Lancaster University, Royaume-Uni.<\/li>\n<\/ol>\n<p>Un atelier d&rsquo;une journ\u00e9e qui explore de multiples techniques pour enregistrer et documenter de mani\u00e8re cr\u00e9ative diverses situations mobiles &#8211; des trajectoires crois\u00e9es des gens sur une place de ville \u00e0 l&rsquo;agitation d&rsquo;une gare, en passant par les routines de travail, les promenades \u00e0 la campagne et les voyages \u00e0 v\u00e9lo.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-w23fc-06e74bb3895c335d1a755da8604a7e04 hr-default  avia-builder-el-27  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-65f9cfaf2397494489d06f90b0f65adb\">\n.flex_column.av-15ouy-65f9cfaf2397494489d06f90b0f65adb{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-65f9cfaf2397494489d06f90b0f65adb av_three_fifth  avia-builder-el-28  el_after_av_three_fifth  el_before_av_one_fourth  first flex_column_div av-zero-column-padding '     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2014\">\n<li>\u00ab\u00a0Sound Recording and Interviewing\u00a0\u00bb. Atelier donn\u00e9 \u00e0 Ressources Ethnoculturelles Contre l\u2019Abus envers les A\u00een\u00e9(e)s. 23 octobre 2014. Universit\u00e9 Concordia. Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de trois heures o\u00f9 j\u2019ai pr\u00e9sent\u00e9 \u00e0 un groupe de personnes a\u00een\u00e9es les outils et les techniques pour mener des entretiens enregistr\u00e9s.<\/p>\n<ol start=\"2014\">\n<li>\u00ab Audio-Mobile: Field-recording, Sound Mapping and Audio Creation with Mobile Phones 2 \u00bb. Avec Owen Chapman et St\u00e9phane Claude. 11-12 &amp; 18-19 janvier 2014. OBORO, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de quatre jours sur la cr\u00e9ation audio et la cartographie sonore \u00e0 l&rsquo;aide de t\u00e9l\u00e9phones mobiles et de tablettes. Les participant.e.s ont contribu\u00e9 \u00e0 une carte sonore collective et ont cr\u00e9\u00e9 et partag\u00e9 des \u0153uvres audio originales.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-otee8-70849adeedb1ced561ec34a95cfce7b3 hr-default  avia-builder-el-30  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_fourth  avia-builder-el-31  el_after_av_three_fifth  el_before_av_one_fourth  flex_column_div av-zero-column-padding '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fourth  avia-builder-el-32  el_after_av_one_fourth  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-3a4274da97e418d0bc43779334b79712\">\n.flex_column.av-15ouy-3a4274da97e418d0bc43779334b79712{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-3a4274da97e418d0bc43779334b79712 av_three_fifth  avia-builder-el-33  el_after_av_one_fourth  el_before_av_three_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2013\">\n<li>\u00ab\u00a0Audio-Mobile: Locative Soundscapes\u00a0\u00bb. Present\u00e9 au <em>Global Conference on Mobility Futures<\/em>, 4-6 septembre 2013. Lancaster University, Royaume-Uni.<\/li>\n<\/ol>\n<p>Un atelier de trois heures sur les technologies et pratiques audio g\u00e9olocalis\u00e9es. Les participant.e.s ont librement explor\u00e9 l&rsquo;environnement sonore local et ont utilis\u00e9 l&rsquo;application <a href=\"https:\/\/www.mobilities.ca\/portfolio\/audio-mobile-2\/index.html\">Audio-Mobile<\/a> pour contribuer \u00e0 une carte sonore collective.<\/p>\n<ol start=\"2013\">\n<li>\u00ab Audio-Mobile \u00bb. Avec Owen Chapman et Kim Sawchuk. Encuentro Inter-Universitario Argentina|Canada: Mobile Perspectives. 16-17 mai 2013. Espacio Fundaci\u00f3n Telef\u00f3nica, Buenos Aires, Argentine.<\/li>\n<\/ol>\n<p>Un atelier de trois heures sur les technologies et pratiques audio g\u00e9olocalis\u00e9es. Les participant.e.s ont librement explor\u00e9 l&rsquo;environnement sonore local et ont utilis\u00e9 l&rsquo;application <a href=\"https:\/\/www.mobilities.ca\/portfolio\/audio-mobile-2\/index.html\">Audio-Mobile<\/a> pour contribuer \u00e0 une carte sonore collective.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-m9tbs-8cdffd3b4495d6a3a67601c4730298f5 hr-default  avia-builder-el-35  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-65f9cfaf2397494489d06f90b0f65adb\">\n.flex_column.av-15ouy-65f9cfaf2397494489d06f90b0f65adb{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-65f9cfaf2397494489d06f90b0f65adb av_three_fifth  avia-builder-el-36  el_after_av_three_fifth  el_before_av_one_fourth  first flex_column_div av-zero-column-padding '     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2012\">\n<li>\u00ab Audio-Mobile: Field-recording, Sound Mapping and Audio Creation with Mobile Phones \u00bb. Avec Owen Chapman et St\u00e9phane Claude. 1-2 et 8-9 d\u00e9cembre 2012. OBORO, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de quatre jours sur la cr\u00e9ation audio et la cartographie sonore \u00e0 l&rsquo;aide de t\u00e9l\u00e9phones mobiles et de tablettes. Les participants ont contribu\u00e9 \u00e0 une carte sonore collective et ont cr\u00e9\u00e9 et partag\u00e9 des \u0153uvres audio originales.<\/p>\n<ol start=\"2012\">\n<li>\u00ab Audio-Mobile: Field Recording and Remixing with Mobile Media Devices \u00bb. Avec Owen Chapman et Kim Sawchuk. 4 septembre 2012. Lancaster University, Royaume-Uni.<\/li>\n<\/ol>\n<p>Un atelier d&rsquo;une journ\u00e9e sur l&rsquo;enregistrement et la cr\u00e9ation sonore \u00e0 l&rsquo;aide de t\u00e9l\u00e9phones portables et de tablettes. Les participant.e.s ont librement explor\u00e9 l&rsquo;environnement sonore local et ont utilis\u00e9 l&rsquo;application <a href=\"https:\/\/www.mobilities.ca\/portfolio\/audio-mobile-2\/index.html\">Audio-Mobile<\/a> pour contribuer \u00e0 une carte sonore collective.<\/p>\n<ol start=\"2012\">\n<li>\u00ab\u00a0Soundscapes and Sensory Ethnography\u00a0\u00bb. 11 Sept. 2012. Centre Canadien d\u2019Architecture, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de trois heures sur les paysages sonores de la ville, l&rsquo;enregistrement sur le terrain et l&rsquo;ethnographie sensorielle. Les participant.e.s ont collabor\u00e9 \u00e0 la r\u00e9alisation d&rsquo;enregistrements sonores multicanaux de leurs mouvements dans la ville. Ces enregistrements ont ensuite \u00e9t\u00e9 partag\u00e9s lors d&rsquo;une s\u00e9ance d&rsquo;\u00e9coute collective.<\/p>\n<ol start=\"2012\">\n<li>\u00ab\u00a0City Soundscapes\u00a0\u00bb. Biennale internationale d&rsquo;art num\u00e9rique. 12 mai 2012. Centre Canadien d\u2019Architecture, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de trois heures sur les paysages sonores des villes et l&rsquo;enregistrement sur le terrain. Les participant.e.s ont collabor\u00e9 \u00e0 la r\u00e9alisation d&rsquo;enregistrements sonores multicanaux de leurs mouvements dans la ville. Ces enregistrements ont ensuite \u00e9t\u00e9 partag\u00e9s lors d&rsquo;une s\u00e9ance d&rsquo;\u00e9coute collective. Les participant.e.s ont dessin\u00e9 l&rsquo;itin\u00e9raire parcouru et enregistr\u00e9 sur une carte collaborative.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-gy3bk-d554f04dfcb411102ade21c8367b0a91 hr-default  avia-builder-el-38  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_fourth  avia-builder-el-39  el_after_av_three_fifth  el_before_av_one_fourth  flex_column_div av-zero-column-padding '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fourth  avia-builder-el-40  el_after_av_one_fourth  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-3a4274da97e418d0bc43779334b79712\">\n.flex_column.av-15ouy-3a4274da97e418d0bc43779334b79712{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-3a4274da97e418d0bc43779334b79712 av_three_fifth  avia-builder-el-41  el_after_av_one_fourth  avia-builder-el-last  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol start=\"2010\">\n<li>\u00ab\u00a0There to Hear: Placing Mobile Music \u2013 Create Your Own Composition\u00a0\u00bb. 25 septembre et 28 octobre 2010. OBORO, Montr\u00e9al, QC.<\/li>\n<\/ol>\n<p>Un atelier de quatre heures (sur deux jours) au cours duquel j&rsquo;ai invit\u00e9 les participant.e.s \u00e0 vivre mon projet <a href=\"https:\/\/samuelthulin.com\/fr\/projects\/there-to-hear-placing-mobile-music\/\"><em>There to Hear<\/em><\/a> et \u00e0 cr\u00e9er et partager leurs propres compositions musicales en utilisant uniquement des enregistrements de terrain r\u00e9alis\u00e9s dans la ville de Montr\u00e9al.<\/p>\n<\/div><\/section><br \/>\n<div  class='hr av-a0nds-8228033298bead8b18a41e3becfd31c3 hr-default  avia-builder-el-43  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-651","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages\/651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/comments?post=651"}],"version-history":[{"count":10,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages\/651\/revisions"}],"predecessor-version":[{"id":924,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages\/651\/revisions\/924"}],"wp:attachment":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/media?parent=651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}