{"id":788,"date":"2021-03-02T15:58:04","date_gmt":"2021-03-02T15:58:04","guid":{"rendered":"https:\/\/samuelthulin.com\/?page_id=788"},"modified":"2022-07-29T21:31:46","modified_gmt":"2022-07-29T21:31:46","slug":"media-2","status":"publish","type":"page","link":"https:\/\/samuelthulin.com\/fr\/media-2\/","title":{"rendered":"M\u00e9dias"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-120pr8-22fac093e7cd3e85a603941e902865ef\">\n.flex_column.av-120pr8-22fac093e7cd3e85a603941e902865ef{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-120pr8-22fac093e7cd3e85a603941e902865ef av_one_fifth  avia-builder-el-0  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding '     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-xlw5w-19af0c1bfef7e14c36322e0dc5c58e69\">\n.flex_column.av-xlw5w-19af0c1bfef7e14c36322e0dc5c58e69{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-xlw5w-19af0c1bfef7e14c36322e0dc5c58e69 av_three_fifth  avia-builder-el-1  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding '     ><section  class='av_textblock_section av-kls6btxi-3c9ad1b6b494e7d177bb4e6e4f31ad82'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Entrevues et articles:<\/strong><\/p>\n<p><a href=\"https:\/\/www.diabreadic.com\/episodes\/season1-episode14\">Entrevue sur \u00ab\u00a0Diabetic Data Art\u00a0\u00bb pour le podcast Diabreadic.<\/a> 11 mai 2022. Anim\u00e9 par Stephen Horrocks.<\/p>\n<p>Entrevue et transmission d&rsquo;art sonore sur les ondes de <a href=\"https:\/\/radiotsonami.org\/\">Radio Tsonami<\/a>. 21 avril 2022. Anim\u00e9 par Eric Mattson et Martin Rodriguez.<\/p>\n<p><a href=\"https:\/\/www.mixcloud.com\/PirateBlocRadio\/pirateblocradio-ep41-with-samuel-thulin-ivetta-kang\/\">Entrevue pour PirateBlocRadio<\/a>. 4 f\u00e9vrier 2021. Anim\u00e9 par Malte Leander.<\/p>\n<p><a href=\"https:\/\/www.concordia.ca\/content\/dam\/concordia\/aar\/docs\/magazine\/2019-winter-Concordia_University_Magazine.pdf\">Entrevue pour Concordia University Magazine, article sur le 4<sup>th<\/sup> Space<\/a>. 2019. Toula Drimonis. p.23-25.<\/p>\n<p><a href=\"http:\/\/visualartsnews.ca\/2016\/10\/exploring-the-landscape-with-samuel-thulins-situated-composition\/\">Exploring the landscape with Samuel Thulin\u2019s \u201csituated composition\u201d<\/a>. <em>Visual Art News<\/em>. 2016. Becka Viau.<\/p>\n<p><a href=\"https:\/\/www.lep.co.uk\/news\/sonic-art-project-uses-letters-sent-home-local-soldiers-779712\">\u2018Sonic art&rsquo; project uses letters sent home from local soldiers<\/a>. <em>Lancashire Post<\/em>. 2016. The Newsroom.<\/p>\n<p><a href=\"https:\/\/espaceartactuel.com\/claire-moeder-1\/\">Le Chant des pistes 1<\/a>. <em>Espace. <\/em>2016. Claire Moeder.<\/p>\n<p><a href=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/407859\/concerts-de-proximite\">Concerts de Proximit\u00e9<\/a>. <em>Le Devoir. <\/em>2014<em>, <\/em>Mari-\u00c8ve Charron.<\/p>\n<\/div><\/section><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-scfy4-57ba9c0ffc0bc8ad4f3cfb42cd226a9d\">\n.flex_column.av-scfy4-57ba9c0ffc0bc8ad4f3cfb42cd226a9d{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-scfy4-57ba9c0ffc0bc8ad4f3cfb42cd226a9d av_one_fifth  avia-builder-el-3  el_after_av_three_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding '     ><\/div><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mirc4-e9a14b4cd2cef0146c30553a3fd1c14a\">\n.flex_column.av-mirc4-e9a14b4cd2cef0146c30553a3fd1c14a{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-mirc4-e9a14b4cd2cef0146c30553a3fd1c14a av_one_fifth  avia-builder-el-4  el_after_av_one_fifth  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-d9olg-300874846eda8318228dd94916ec4fc4\">\n.flex_column.av-d9olg-300874846eda8318228dd94916ec4fc4{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-d9olg-300874846eda8318228dd94916ec4fc4 av_three_fifth  avia-builder-el-5  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-kls6g677-aaccbd9eb2eb75057c99e6b44ee5d529'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Publications sous forme de livres d&rsquo;expositions\/\u00e9v\u00e9nements:<\/strong><\/p>\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1c2NtLxvhWM8Z4g3A7uQE0t7GzAWqZzOM\/view\"><em>Le Chant des pistes\/Songlines<\/em><\/a>. AdMare. 2018. Daigneault, Caroline Loncol, et Laur\u00e8ne Janowsky. (Eds.)<\/p>\n<p><a href=\"https:\/\/core.ac.uk\/display\/146486207\"><em>Mobile Utopia: Art and Experiments<\/em><\/a>. 2017. Southern, J., Rose, E. &amp; O\u2019Keeffe, L. (Eds.)<\/p>\n<p><a href=\"https:\/\/samuelthulin.com\/wp-content\/uploads\/2016\/05\/homingdigital1.pdf\"><em>Homing<\/em><\/a>. In Certain Places: Preston, UK. 2016. Southern, J. &amp; Thulin, S. (Eds.)<\/p>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-a1rr8-ddf48575be0aa52a976f4ece433fc6c8\">\n.flex_column.av-a1rr8-ddf48575be0aa52a976f4ece433fc6c8{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-a1rr8-ddf48575be0aa52a976f4ece433fc6c8 av_one_fifth  avia-builder-el-7  el_after_av_three_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-788","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages\/788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/comments?post=788"}],"version-history":[{"count":4,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages\/788\/revisions"}],"predecessor-version":[{"id":900,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/pages\/788\/revisions\/900"}],"wp:attachment":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/media?parent=788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}