{"id":726,"date":"2020-08-28T16:41:33","date_gmt":"2020-08-28T16:41:33","guid":{"rendered":"https:\/\/samuelthulin.com\/projects\/hemo-resonance2-2\/"},"modified":"2020-10-27T14:56:02","modified_gmt":"2020-10-27T14:56:02","slug":"hemo-resonance2","status":"publish","type":"portfolio","link":"https:\/\/samuelthulin.com\/fr\/projects\/hemo-resonance2\/","title":{"rendered":"Hemo-resonance #2"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-yju6-bc2f4f247db8edf4d4bb2b7f22a7f0a4\">\n.flex_column.av-yju6-bc2f4f247db8edf4d4bb2b7f22a7f0a4{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-yju6-bc2f4f247db8edf4d4bb2b7f22a7f0a4 av_one_full  avia-builder-el-0  el_before_av_one_fifth  avia-builder-el-first  first flex_column_div av-zero-column-padding '     ><p>\n<style type=\"text\/css\" 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title='Screen Shot 2020-08-28 at 10.39.19 AM' alt='' \/><div class='big-prev-fake'><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-710 avia-img-lazy-loading-710\"  width=\"495\" height=\"400\" src=\"https:\/\/samuelthulin.com\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-28-at-10.39.19-AM-495x400.png\" title='Screen Shot 2020-08-28 at 10.39.19 AM' alt='' \/><\/div><\/a><\/div><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fifth  avia-builder-el-3  el_after_av_one_full  el_before_av_three_fifth  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-15ouy-3a4274da97e418d0bc43779334b79712\">\n.flex_column.av-15ouy-3a4274da97e418d0bc43779334b79712{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-15ouy-3a4274da97e418d0bc43779334b79712 av_three_fifth  avia-builder-el-4  el_after_av_one_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><p><section  class='av_textblock_section av-ka8p0uih-d2c56c6ef518e4cf02cfdf7e0a9f19c9'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock tagline'  itemprop=\"text\" ><p><em>Sonifications cr\u00e9atives d\u2019une semaine de donn\u00e9es glyc\u00e9miques<\/em><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><a href=\"https:\/\/samuelthulin.github.io\/HR2\">Pour voir et \u00e9couter le projet<\/a> (optimal avec les navigateurs Chrome et Firefox; pas optimis\u00e9 pour les appareils mobiles)<\/p>\n<p><em>Hemo-resonance #2<\/em> s\u2019int\u00e9resse aux pratiques contemporaines de suivi en continu et de \u00ab\u00a0datafication\u00a0\u00bb \u00e0 travers la lorgnette de l&rsquo;autogestion du diab\u00e8te en explorant comment les donn\u00e9es corporelles peuvent \u00eatre utilis\u00e9es comme ressource artistique. \u00c0 partir de mes archives personnelles de donn\u00e9es glyc\u00e9miques li\u00e9es \u00e0 mon diab\u00e8te de type 1, je g\u00e9n\u00e8re des sonifications web cr\u00e9atives et interactives qui remettent en question les mani\u00e8res contemporaines commun\u00e9ment accept\u00e9es d\u2019approcher ces donn\u00e9es et ce qui constitue leur utilit\u00e9. Alors que les donn\u00e9es quantitatives sont de plus en plus mises au service du maintien d&rsquo;un corps sain id\u00e9alis\u00e9, je conteste et d\u00e9fie cette mani\u00e8re instrumentalis\u00e9e de les approcher en m\u2019interrogeant sur ce qu\u2019elles peuvent faire d&rsquo;autre. Comment peuvent-elles \u00eatre r\u00e9orient\u00e9es de mani\u00e8re cr\u00e9ative pour laisser place \u00e0 des r\u00e9flexions et exp\u00e9riences esth\u00e9tiques autres, plut\u00f4t que d&rsquo;\u00eatre exploit\u00e9es afin d\u2019obtenir le corps \u00ab\u00a0id\u00e9al\u00a0\u00bb?<\/p>\n<p>Dans le cadre de ce projet, j&rsquo;explore les possibilit\u00e9s affectives et sensorielles des donn\u00e9es et je me concentre tout particuli\u00e8rement sur leurs temporalit\u00e9s, sugg\u00e9rant autre chose qu&rsquo;une progression lin\u00e9aire vers la sant\u00e9 ou la maladie. J&rsquo;utilise une semaine de mes donn\u00e9es glyc\u00e9miques comme moteur des processus de synth\u00e8se sonore g\u00e9n\u00e9ratifs en cr\u00e9ant un environnement sonore multicouche pour chaque lecture de glyc\u00e9mie. En temps normal, je v\u00e9rifie ma glyc\u00e9mie de 4 \u00e0 10 fois par jour en pr\u00e9levant du sang sur mon doigt et en l&rsquo;introduisant dans un glucom\u00e8tre. J&rsquo;utilise ces donn\u00e9es pour d\u00e9terminer si je dois manger quelque chose et\/ou quelle quantit\u00e9 d&rsquo;insuline je dois injecter. Ces donn\u00e9es sont donc essentielles pour \u00e9valuer la qualit\u00e9 de la gestion de mon diab\u00e8te et ce que je dois faire pour l\u2019am\u00e9liorer, de m\u00eame que pour appr\u00e9hender mes r\u00e9sultats futurs. La cible de glyc\u00e9mie vis\u00e9e se situe entre 4,0 mmol\/L et 8,0 mmol\/L pour un contr\u00f4le id\u00e9al de mon diab\u00e8te. Pour moi (et pour de nombreux autres diab\u00e9tiques), les chiffres qui apparaissent sur le glucom\u00e8tre lorsque je me teste et qui se situent en dehors de cette cible provoquent des r\u00e9actions \u00e9motionnelles \u2013 de la frustration, de l\u2019anxi\u00e9t\u00e9 face \u00e0 l&rsquo;avenir, un sentiment d&rsquo;\u00e9chec, etc. <em>Hemo-resonance #2<\/em> tente de fournir un espace o\u00f9 nos relations avec les donn\u00e9es sur la glyc\u00e9mie peuvent \u00eatre, au moins temporairement, r\u00e9orient\u00e9es.<\/p>\n<p>En s&rsquo;\u00e9loignant des pressions li\u00e9es \u00e0 la tentation de maintenir constamment de \u00ab\u00a0bons\u00a0\u00bb r\u00e9sultats, <em>Hemo-resonance #2<\/em> pr\u00e9sente chaque chiffre comme un monde sonore complexe et en perp\u00e9tuel changement. Ce faisant, le travail sugg\u00e8re la complexit\u00e9 de tous les facteurs qui influencent une seule lecture de la glyc\u00e9mie, mais qui ne sont pas visibles \u00e0 la seule consultation du nombre. Dans <em>Hemo-resonance #2<\/em>, l&rsquo;environnement sonore de chaque lecture de glyc\u00e9mie est en fait d\u00e9termin\u00e9 par les trois lectures de glyc\u00e9mie prises avant et les trois lectures de glyc\u00e9mie prises apr\u00e8s. Les donn\u00e9es corporelles du pass\u00e9 et du futur se m\u00ealent au pr\u00e9sent. Cela perturbe le flot constant de donn\u00e9es puisque chaque mesure de glyc\u00e9mie devient alors un environnement sonore unique qui peut \u00eatre habit\u00e9 ind\u00e9finiment. Par ce d\u00e9tournement des donn\u00e9es quantitatives de leurs objectifs habituels, j&rsquo;esp\u00e8re cr\u00e9er un espace de r\u00e9flexion m\u00e9ditative sur les relations entre les donn\u00e9es, les corps, les temporalit\u00e9s, les maladies et la sant\u00e9.<\/p>\n<p>***<\/p>\n<p>Merci \u00e0 Luciano Frizzera pour son aide avec Javascript, HTML et l&rsquo;interface utilisateur. Merci \u00e0 Gabriel Vigliensoni pour son aide avec Javascript et pour ses commentaires sur la conception sonore.<\/p>\n<p><em>Ce projet \u00e0 \u00e9t\u00e9 subventionn\u00e9 par le Conseil des Arts du Canada. <\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-178\" src=\"https:\/\/samuelthulin.com\/wp-content\/uploads\/2020\/06\/CCA_RGB_black_e-300x55.jpg\" alt=\"\" width=\"300\" height=\"55\" srcset=\"https:\/\/samuelthulin.com\/wp-content\/uploads\/2020\/06\/CCA_RGB_black_e-300x55.jpg 300w, https:\/\/samuelthulin.com\/wp-content\/uploads\/2020\/06\/CCA_RGB_black_e.jpg 577w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_fifth  avia-builder-el-7  el_after_av_three_fifth  el_before_av_one_fifth  flex_column_div av-zero-column-padding column-top-margin'     ><\/div><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-b0c62e2e05b115747c81b26984d74351\">\n.flex_column.av-1bp52-b0c62e2e05b115747c81b26984d74351{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-b0c62e2e05b115747c81b26984d74351 av_one_fifth  avia-builder-el-8  el_after_av_one_fifth  el_before_av_one_third  first flex_column_div av-zero-column-padding column-top-margin'     ><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1bp52-3b1987fa852cc1e3a51578b523c4160c\">\n.flex_column.av-1bp52-3b1987fa852cc1e3a51578b523c4160c{\n-webkit-border-radius:0px 0px 0px 0px;\n-moz-border-radius:0px 0px 0px 0px;\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div class='flex_column av-1bp52-3b1987fa852cc1e3a51578b523c4160c av_one_third  avia-builder-el-9  el_after_av_one_fifth  avia-builder-el-last  flex_column_div av-zero-column-padding column-top-margin'     ><section  class='av_textblock_section av-ka8p0uih-f0b92694778e3a2b6d47d0eced626c9c'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Year:<\/strong> 2020<\/p>\n<p><strong>Role:<\/strong> Artist<\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sonifications cr\u00e9atives d\u2019une semaine de donn\u00e9es glyc\u00e9miques<\/p>\n","protected":false},"featured_media":718,"comment_status":"open","ping_status":"closed","template":"","tags":[],"portfolio_entries":[26,22,30],"class_list":["post-726","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_entries-conception-sonore","portfolio_entries-featured-fr","portfolio_entries-music-fr"],"_links":{"self":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/portfolio\/726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/comments?post=726"}],"version-history":[{"count":6,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/portfolio\/726\/revisions"}],"predecessor-version":[{"id":735,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/portfolio\/726\/revisions\/735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/media\/718"}],"wp:attachment":[{"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/media?parent=726"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/tags?post=726"},{"taxonomy":"portfolio_entries","embeddable":true,"href":"https:\/\/samuelthulin.com\/fr\/wp-json\/wp\/v2\/portfolio_entries?post=726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}